摘要
倪瓒,元季四大家之一,诗书画三绝,其绘画实践及理论观点对明清画坛产生了深远的影响。他好洁成癖,以为与庸人多言一句便俗,与故交则可以笑语留连,千金散尽不以为意。他的山水画风格天真淡简,善用留白表现幽远空灵的意境;简笔淡墨勾勒出来的竹石亭柯生动传神,气韵不凡。他的题画诗作为山水画的补充,将他澄明隐逸之心更好的传达出来,同时有助于了解那个时代的文人心态。倪瓒开辟的明清一代山水画画风,不断被后人借鉴学习,终不可得。在传统文人画失落的当下,重新挖掘研究倪瓒的价值,可以更好地反思传统文化的继承和弘扬。
Ni Zan,one of the four famous scholars at the middle-late Yuan period,is famous for his achievement in the domain of poetry,calligraphy and painting. His theory and practice made great influence on painting during the Ming and Qing period. He is fond of cleanliness. He would like to share his time and money with friends he likes but not with unworthy ones. His paintings with landscape themes are plain and na ve in nature with blanks to express deep and profound ideas. His bamboos and stones painted with light ink are spiritual and vivid. His poems are complementary to his landscape paintings,which express his value and mind. His paintings are pioneers for new style,which has been adored and learnt by later painters. It is good to introduce and learn from the traditional culture by studying Ni Zan's works again.
出处
《哈尔滨学院学报》
2018年第2期65-70,共6页
Journal of Harbin University
关键词
倪瓒
山水画
天真
简笔淡墨
隐逸
Ni Zan
landscape paintings
na ve
paintings with plain style and light ink
hermit