摘要
在三十余年的创作中,王小妮的诗歌有着两大突出而一贯的特征:自然意象的高频出现,形式上的缜密的自然。前者表现为季候(气候)类意象和植物意象交织而成的"感时体物"的抒情结构,后者表现为"求其自然"的语言形式。从当下和日常出发,对"抒情传统"与"自然书写"进行创造性改写与化用,使王小妮能够在"潮流之外"、"文脉之中"写下《十支水莲》这样具有"后东方式的现代主义"特色的经典作品。
In more than thirty years of creation,Wang Xiao-ni's poetry has two prominent and consistent features: the high frequency of natural images appearance,and the natural forms. The former is characterized by the lyrical structure of the"ganshitiwu"which is a combination of seasonal( climate) images and plant images; the latter appears as a natural language form. Starting from the present and daily aspects,Wang creatively rewrites and uses "lyrical tradition"and "natural writing",and writes down the classic works shizhishuilian with the characteristics of "modernism of Post-oriental style".
出处
《华中科技大学学报(社会科学版)》
CSSCI
北大核心
2018年第2期57-64,共8页
Journal of Huazhong University of Science and Technology(Social Science Edition)
基金
中央高校基本科研业务费研究项目"信息时代的现代汉语诗歌文体研究"(2015AC021)阶段性成果
关键词
王小妮
抒情传统
自然书写
《十支水莲》
Wang Xiao-ni
lyrical tradition
natural writing
shizhishuilian