摘要
《黄墙纸》是美国女权运动先驱兼作家夏洛蒂·吉尔曼的短篇杰作。本文试图以福柯的越界理论探讨女主人公在对抗家庭责任、权力话语和囚禁空间时所进行的越界行为,这种越界行为是建构自我身份和个体主体性的一种尝试。女主人公意图越界的行为在持续的规训力量下无形中巩固和加深了身体和精神的双重界限,却也在走向疯癫的顷刻间从内部打破了权力的界限,为女性身份的界定和权力关系的重构演绎了悲壮的一幕。
The Yellow Wallpaper is a semi-autobiographical short story written by Charlotte Perkins Gilman,who is a prominent American feminist,novelist,and sociologist. The thesis attempts to examine the existential conditions of the protagonist,especially her behavior against family responsibilities,discourse of power and confined space imposed by patriarchal society in the light of transgression theory by Michel Foucault. The behavior characterized by transgression is an at-tempt to construct female identity and subjectivity. The heroine 's intention and behavior invisibly deepens the physical and spiritual boundaries on women,but breaks the limits of power from inside at the very moment of her going mad,thus creating a tragic scene in the definition of female identity and reconstruction of female authority.
出处
《外文研究》
2017年第4期54-58,共5页
Foreign Studies
