摘要
"多吉普尔羌姆"是藏传佛教萨迦派法舞文化的典型代表,源于后藏萨迦寺,又被称作"金刚橛法舞"。如今只有在后藏萨迦寺、康区德格更庆寺和安多若尔盖求吉寺有传承。若尔盖求吉寺的"多吉普尔羌姆"在原萨迦寺羌姆原型的基础上,融入本土文化内容,形成了风格独特的法舞仪式,在安多藏区有较大的影响。2006年求吉寺"多吉普尔羌姆"被列入了四川省非物质文化遗产名录,随之该法舞仪式也得到了重视和保护。文章以若尔盖求吉寺为中心,将"多吉普尔羌姆"作为研究对象,通过宗教学和人类学的视角,重点解析法舞仪式中各类宗教符号蕴含的文化内涵及象征意义。
"Dorje Phurba Cham (Religious Dance)", a typical Chain dance of the Cham culture of the Sakyapa tra- dition of Tibetan Buddhism, originates from the Sakya Monastery in Tibet. Now the dance is performed only in received attention and protection. This article mainly interprets the cuhural connotation and symbolic meanings of the religious symbols of "Dorje Phurba Cham" performed in Zoige Chokyi Monastery from the perspective of religious studies and anthropology.
关键词
萨迦派
求吉寺
符号
解读
the Sakyapa tradition
Chokyi Monastery
symbols
interpretation