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从社会身份看李渔的小说与戏曲创作

Analyzing Li Yu's Novels and Traditional Operas from His Social Identity
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摘要 从市井文化需求出发,再结合自身才情,李渔写出了一系列以"奇""巧"取胜的小说与戏曲作品。李渔之所以专注于此类作品的创作,是因为他通过"卖文"可以有效地解决生计问题,这也导致李渔的创作动因及作品效果不同于其他"著文章自娱"或"文以载道"的文人,所以当时就有人把他看是作行走江湖,靠卖艺谋生的"俳优",却不知这是文人身份地位发生变化后的谋生策略。 Considering the social demand and on the basis of his talent, Li Yu wrote a series of novels and traditional operas that characterized with "strangeness" and "ingeniousness". Li Yu focused on the creation of those works, because he effectively solved livelihood by writing. So the motivation and effect of Li Yu's writing is different from other writers who worked for self-entertainment or enlightenment. Therefore, some people looked Li Yu as a comedian who performed to make a living, but they didn't know it was a living strategy that the writer's status was changed.
作者 甘映红
出处 《江西科技师范大学学报》 2018年第1期119-123,108,共6页 Journal of Jiangxi Science & Technology Normal University
基金 江西省高校人文社会科学研究项目<明代藩府与文学>(ZGW1320)研究成果之一
关键词 奇、巧 卖文 俳优 strange ingenious sell articles comedian
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