论罗丹艺术对自然本真的理解与诠释

Comprehension and Interpretation of “the Natural Truth” from Rodin's Arts

奥古斯特·罗丹在其与葛赛尔的对话录中,详细阐述了艺术中的自然的真实与人类精神之间的辩证关系。通过对罗丹作品结构的分析以及将其与时代观念变迁的对比研究,可以发现一种内化于作品形式中的对"自然本真"的现代性理解。这一观念的形成既源于艺术家对古典主义美学精髓的深刻领悟,又来自其对新的时代精神的敏锐洞察。罗丹通过遗痕这一"偶然性"因素的运用,表达出一种以人的直觉为最终的衡量标准来判定作品意义的现代美学观念。将这一因素与摄影艺术进行比较并借用结构主义的理论术语能够给以适当的描述。

In the dialogues with Gsell, Auguste Rodin elaborated the dialectical relation between human spirit and“natural reality”. Rodin’s subjective comprehension about “the natural truth” which is internalized in his art workscould be found by analyzing the construction of his works and by researching the connections between the works andthe changes of the idea of the times. The formation of artist’s concept based on his deep comprehension about classi？cal aesthetic quintessence as well as keen insight towards the spirit of the age. By using the contingency factor such astrace of sculpture works, Rodin expressed his concept of modern aesthetic in which the meaning of artworks should bedetermined by the man’s will. Further descriptions about this concept are available by comparing the concept withphotographic art and by using the terms of structuralism.