《庄子》“真画者”何以可能?——“解衣槃礴”析论

What Is the True Artist in Zhuangzi?——Review on “Jie Yi Pan Bo”

先秦时期实用与审美未分,艺术更切合技术,画家从属于工匠。器物制造经验是人类最为普遍的原初经验,技术的法度和规则是形成艺术自由和画家审美心灵的基础。《庄子》中的工匠以技进道,以器物制作过程隐喻艺术创作规律,在审美直觉中实现主体的自觉。"真画者"是技艺、生命意义、形而上的三位一体。真画者的技术维度是在中西文化早期具有普遍性的艺术经验,对反思当下艺术仍具有借鉴意义。

In the ancient times of China,practicality and aesthetics were not separated.The concept of art was similar to the skills,and artists were included in the craftsmen.The experience from the instrument and its manufacturing to the art reflects the pursuit for norms and the recognition of models of art creation.The aesthetic established in the experience of instrument manufacturing gradually become the universal law in the Chinese art history.Therefore,instrument manufacturing has transcended the significance of the handcraft itself,Zhuangzi＇s craftsmen skill to Taoism,make his daily experience sublimate into spiritual pleasure and acquire self-consciousness.The true artist is a trinity of skill,meaning of life and metaphysics.The instrument metaphor is a general experience providing discourse between the early Chinese and Western.It is also importance for the reflection on the existing problems with contemporary arts.