论川端康成文学的“物哀”观

On Kawabata Yasunari's Literary View of ″Mononoaware″

川端康成是日本第一位获得诺贝尔文学奖的作家。他的作品充满了"物哀"的意蕴,具体表现在三方面:一是早期作品表达了孤儿寂寞孤独之悲情,暗合了本居宣长所倡导如实记载人心的主张;二是中期作品所描述的男女恋慕而又不得之哀情,与本居宣长认为恋情最能表现"物哀"的主张一致;三是后期作品表达了人生而必死之苦情,符合本居宣长不论善恶只知"人情"的"物哀"观。川端康成的"物哀"观深受《源氏物语》与日本法西斯战败的影响,其对"物哀"为首的日本传统美的追求,既是他个人身世、性格与"物哀"论的高度契合,也是作为日本作家建立民族文化的一种举措。

Kawabata Yasunariis the first Japanese writer who won the Nobel Prize in literature. His literary works are full of ＂Mononoaware＂, which lies in three aspects. The first is the expression of the orphan＇s tragic loneliness in his early works. The second is the expression of the grief of men and women who love each other in vain in his medium - term writing. The third is the description of affliction for the inevitable death of the human beings in his late works. Kawabata Yasunari＇s view of ＂Mononoaware＂ was deeply influenced by ＂The Tale of Genii＂ and the Japanese fascist defeat. His pursuit of the traditional Japanese beauty embodied with ＂Mononoaware＂ on the one hand highly matches his personal story, character and the theory of ＂Mononoaware＂, and on the other hand provides a measure to establish the national culture.