复归永恒:以《秋刀鱼之味》论小津安二郎电影美学意蕴

Return to Eternity—Dicussion about Aesthetic Implication of Yasujiro Ozu's Film According to The Film An Autumn Afternoon

小津安二郎是日本电影史上影响深远的大师,他独具东方民族美感的电影影像和诗性语言,业已成为营养丰足而弥散久远的艺术经典。以小津电影遗作《秋刀鱼之味》(简称《秋》)为卓越个案,试图敞开其电影美学向永恒因素复归的内在含蕴:对日常生活的信仰的温情叙事,对怀旧之情的孤寂表达以及对民族美学的执着营造,并以此观照小津向基石型艺术复归的不竭意义。

Yasujiro Ozu is a master with far-reaching implications in Japanese of his films are full of beauty of oriental nation, which have became classical per writes about the inherent meaning of eternal aesthetics factors of his film Afternoon ： the warmth description of the daily life, the loneliness express on film history. The images and language art with eternal significance. This pa- according to his final film An Autumn nostalgic mood, tion of national aesthetic, and also it observes the meaning of returning to eternal art. the persistent construc-