建筑如画——由绘画引申开来的关于现代建筑理论和实践的几点思考

A Pictorial Vision in Architecture:A Review of the Use of Paintings in Modern Architectural Theories and Practices

通过梳理20世纪以来绘画在建筑理论和实践中的介入来讨论这一特定的跨学科交流所带给人们的思考与启发。详细论述了绘画在建筑讨论中形成的三种关系——生成模型、象征机制、体验方式,并依次分析了各个关系中对于绘画不同特征的强调以及其所产生的利弊。虽然方法不尽相同,但通过对比,可以观察到绘画这种视觉艺术在建筑讨论中的"语义性"的生成和强调,以及这种语义所衍生出的文化性解读。通过对比分析,希望为这一话题提供更为独特、多样的观察视角,并且表达对绘画这一视觉艺术赋予建筑专业以独特视野的肯定。

With exemplified case studies from the 20 th century onwards, this article provides some reflections on the use of paintings in architectural discussions in modern design theories and practices. The analysis summarizes three types of relationships established between painting and architecture-the model of formulation, the device of symbolism, and the way of experience-and expounds on their different focuses through the pictorial medium. The presented diversity of this pictorial exercise in architecture, however, also implies a conscious and continuous emphasis on the semantics imbedded in the pictorial medium, which further contributes to the establishment of a cultural frame in some recent discussions. While valuing the multiplicity of analysis, the article proposes to anchor on the type of visual art that painting belongs to and its unique contributions in architectural translation.