摘要
本文认为奥尔罕·帕慕克在创作小说《纯真博物馆》和创建真实坐落于伊斯坦布尔街头的"纯真博物馆"以及编写藏品目录《物品的纯真》的过程中,兼具作家和收藏家的双重身份,在小说与收藏、虚构与真实、想象与记忆之间通过物与词的融汇,既表明了经验的保留、传递与交流,也实现了作家的跨域旅行。
After writing his novel The Museum of Innocence, Orhan Pamuk built an actual museum located in Istanbul and compiled the museum catalog The Innocence of Objects. This attempt has endowed him with the double identity of writer and collector. Crossing the border between novel and museum, fiction and reality, imagination and memory, Pamuk connects objects and words to preserve, deliver and communicate experience.
出处
《当代外国文学》
CSSCI
北大核心
2017年第4期93-99,共7页
Contemporary Foreign Literature
基金
国家社科基金项目(15CWW026)"20世纪美国文学中的城市形象研究"的阶段性成果