中国音乐图像学导论

An Introduction to Music Iconography in China

本文分别从中国音乐图像学研究的历史渊源、中国音乐图像学概论的学理基础、中国音乐图像学创新发展的导向等三个层面,对《中国音乐图像学概论》中的一些关键问题进行分析论述。一并揭示我国以"乐"为统领艺术文化和思想文化传统与由"图谱学"到"金石学"实证研究学术体系的并存发展,在新时期凝练提升中华民族固有的伟大智慧和创新创造能力,推动中华文化繁荣兴盛和中华民族伟大复兴中的核心作用。

This paper attempts to discuss some key issues in the book An Introduction to Music Iconography in China from three different levels, i.e. the historical origins of the studies of music iconography in China, the academic and theoretical bases of the introduction to music iconography in China, and the innovative development orientations of music iconography in China, so as to reveal the commanding position of "music" in Chinese ar tistic and ideological culture traditions as well as the coexistent development of academic systems of empirical studies of Car tography and epigraphy. It is aimed not only to improve the inherent great wisdom and innovative creativity of Chinese nation, but also to promote prosperity of Chinese culture and enhance its central role in the great rejuvenation of the Chinese nation.