摘要
山水画萌于魏晋,成于隋唐,盛于北宋,乃为中国画之重要画科。古代文人、士大夫皆尊儒为正统,并兼道释且好清高,惯借以绘山水而超然脱世,故而历代山水画皆含释道之气。文章论述了山水画受道释影响之历史必然,且分析了其积极与消极之两面,初步调理绘画史未明之困惑,为当今山水画革新之参考。
As an important branch of Chinese painting, landscape painting began in the Wei and Jin Dynasties, formed in the Sui and Tang Dynasties and flourished in the Northern Song Dynasty. Ancient scholars regarded Confucianism as orthodoxy, and also respected Taoism. Being lofty, they used to paint landscapes to show their detached attitude. Therefore ancient landscape paintings usually contain Taoism thinking. The article discusses the inevitable historical influence of Taoism on landscape painting, and analyzes its positive and negative aspects,thus provides a reference for the current landscape innovation.
出处
《新疆艺术学院学报》
2017年第4期71-79,共9页
Journal of Xinjiang Arts University
关键词
道释思想
山水画
影响
Taoism thinking
landscape painting
influence