摘要
燕青形象在水浒故事中有着较为重要的地位。从宋元笔记、戏曲,到明代的《水浒传》文本,再到清代、近代的续书和戏曲,燕青的形象经历了很大的变化。运用叙事文化学的思路方法对燕青故事进行梳理,可以透视这一人物自身性格内涵的演变与不同时代文化意蕴的差异。
YAN Qing is an important role and in the plot of All Men Are Brothers. YAN Qing's imageundergoes great changes from the essays and dramas in the Song and Yuan Dynasties(960 - 1368), the novelin the Ming Dynasty(1368 - 1644) to the continued stories and operas in the Qing Dynasty(1644 - 1912). Inthe light of cultural narrative studies, the evolution of YAN Qing's character and image in different times canbe clearly watched.
出处
《天中学刊》
2018年第1期25-30,共6页
Journal of Tianzhong
关键词
燕青
水浒故事
形象演变
文化意蕴
YAN Qing
All Men Are Brothers
image evolution
cultural implication