摘要
2017年,在中国这个活跃的艺术大舞台上,"重头戏""一个人的艺术史""世界的中国展览馆""现代艺术家的当代对话""赶集双年展""艺术家·女性""世界终归是他们的"等各类当代艺术展览一如既往地活跃,继续呈现出艺术主体多元与艺术形式多样的整体状态。当代艺术是由具有开放的态度、普适价值观、明确的艺术观点、不受艺术形式的束缚、尝试艺术语言不断向外延展的艺术家的艺术作品、艺术展览、艺术行为等组成的。就2017年中国当代艺术展览的整体风貌来分析,中国当代艺术已经渐渐寻找到了立足本土、对话世界的方式,慢慢地脱离了"迷茫与焦虑"的时期,呈现出了逐步沉积、稳定发展的趋势。
In 2017, on the active artistic stage of China, Highlight, the Art History of One Person, ized, such as ry Dialogue of Modem Artists, Going to Market Biennial various contemporary artistic exhibitions were organ- Chinese Exhibition Hall in the World, Contempora- Exhibition, Artists Female, and The World Belongs to Them After All. These exhibitions continue to express a holistic status with multiple artistic subjectivities and various artistic forms. Contemporary art is constituted by art works, art exhibitions and art behaviors of artists who have open attitudes, universal values, definite artistic opinions, unrestricted artistic forms and who try to extend the artistic languages. Analyzed from the overall status of Chinese contemporary artistic ex- hibition in 2017, Chinese contemporary art has found a manner to build a local foothold and to communicate with the world, escaping from the period of "confused and anxious" and displaying a trend of gradual accu- mulation and steady development.
出处
《民族艺术研究》
2018年第1期104-110,共7页
Ethnic Art Studies
关键词
中国当代艺术
艺术展览
艺术现状
发展趋势
Chinese contemporary art, artistic exhibition, artistic status, development trend