德勒兹:超越“主-客”二元模式的艺术“感觉”视野研究

Deleuze: Angel of the Artistic “Feeling”Research Going Beyond of the “Subject-Object”Mode

艺术是"感觉"的语言,但如何理解"感觉"问题,传统与现当代大多学者的研究思路却一直徘徊于"主-客"二元模式之中。无论是传统还是现当代学者(如梅洛·庞蒂和雷蒙·威廉斯等人)的"自我""情感""本能""身体"的"欲望"与"想象",或"科学性""公共性""社会性"等范畴视野,都没有切中艺术"感觉"的内在世界。德勒兹对于这种"主-客"二元模式有了超越性探索。德勒兹认为,艺术"感觉"是一种没有"基础""主体"或"存在者"前提的"原初"而"自主"的经验,这种经验在"材料"中发生而使其凸显,在"异质性"之间自由流动而不受"坐标"或"结构"的制约;其中,"他者"的参与不仅开启着这种内在流动,而且使得种种"主-客"(如欲望、想象与社会性、公共性等)世界得以重新构成、分布与配置,从而"使世界移动起来"。

Art is the language of feeling. The research thought in the issue of how Art is the language of feeling. The research thought in the issue of how feeling should be under- stood, however, remains in the binary mode of subject- object among most scholars in traditional and modem and contemporary age. For either traditional or modem and contemporary scholars, such as Merleau Ponty and Raymond Williams, the desire and imagination of the self, feeling, instinct and body, or the conceptual perspectives of scientificity, publicity and sociality , are not targeting the inner world of artistic feeling. Deleuze＇ s exploration transcends the binary mode of subject - ob- ject. Deleuze regards that the artistic feeling is an original and automatic experience without ba- sis, subject or existent. This experience emerges in material and manifests the material, and it can flow freely in heterogeneity without restrictions of coordinate or structure. In addition, the par- ticipation of the other not only initiates this inner flow but also makes it possible for various subject -ob- ject （e. g. desire, imagination and sociality and publicity, etc. ） worlds to re -shape, re -distribute and re -allocate so as to move the world.