黄梅戏音乐的跨文化发展

The Transcultural Development of Music of Huangmeixi

黄梅戏的发展史可以说是该剧种音乐、声腔的发展史。从最初撷取民间音乐元素,又经过对青阳腔(高腔)、徽调、京剧等成熟戏曲、曲艺等音乐形式的兼容并蓄,再到借鉴国内外各种音乐载体的多形式、多路径发展,在自身传统的基础上不断突破求新,是该剧种保持青春活力的关键所在。

The historical origin of Huangmei opera can be considered as the development history of this opera's music and tune.Initially,it grows out of the folk music factor and passes through the procedure of embracing inclusiveness,absorbs the outstanding achievements of mature opera,quyi and other music forms,such as Qingyang cavity(high cavity),Hui opera and Peking Opera,and then draws on the multi-form and multi-path development of various music cultures and their carriers at home and abroad.Seeking open and constantly breakthroughs on the basis of its own tradition have always been the key to retain green vigor.