走出“意境”误区─—试论诗歌美学中的“情境”

Out from the Erroneous Zone in "Artistic Conception

本文从诗歌美学中挖掘出“情境”一词，将其从“意境”中划出来进行分析，强调“意境”的创造更重要的在于“情境”的创造，只有“情境”也可产生“意境”，从而走出流行的唯有“情景交融，融情于景”才能创造出“意境”的误区。

The paper digs the term"emotional conception"from poetic aesthetics and differentiates it from"artistic conception",pointing out emphatically the "emotional conception"is what really matters in the creation of "artistic conception", and that "emotional conception" alone can also achieve "artistic conception", as leads the way out from the erroneous zone that"the blending of subjective feeling and objective setting" is the only approach to"artistic conception".