早期弗拉芒画派之肖像画研究

On the Study of Portraits of Early Flemish Paintings

在西方油画发展历程中,弗拉芒画家对油画肖像的贡献被掩盖在意大利文艺复兴艺术家的光芒之下。肖像画的发展建立在宗教祭坛画中赞助人形像出现的基础上,而半身人物像则出现在圣经或圣母子面前表达对宗教的虔诚。随着社会的世俗化发展,表示社会地位、身份与职业的画像出现了。尼德兰弗拉芒地区凡·艾克兄弟及其追随者完善了绘画的视觉体验。弗拉芒绘画对肖像画的探索不仅表现在技法上的突破,还表现在通过视错觉表达了人物的内心世界。

During the development of western oil painting, the Flemish painters＇ contribution to portrait has been forgotten in the shadow of the Italian Renaissance artists. The development of portraits is based on the appearance of patronage figures in religious altars, while half—length portraits appear in front of the Bible or the Virgin and Her Son to express religious devotion.With the secularization of society, portraits of social status, status and occupation had emerged. Jan Van Eyck Brothers and their followers in Flanders, Netherland, perfected the visual experience of painting. The exploration of portraits by Flemish paintings has not only shown in the technical breakthrough, but also expresses the inner world of the characters by visual illusion.