摘要
德藏克孜尔第84窟系列壁画,许多主题不明。通过图像与经典的对读,可将其中持刃者辨识为"央掘摩罗",托钵持杖者辨识为"老婆罗门行乞"。壁画为两则佛传,分别讲述了一个凶徒和一个乞讨者的皈依。克孜尔石窟壁画常常间隔使用对比强烈的颜色,对当代图像志研究工作造成困扰,此现象可称为"装饰霸道"。
The series ofmurals of Cave 84 in Kizil Grottoes of Tibet are unknown. Images and classics can be read, in which the man handles knife can be identified as a "Angulimala", and the man handles stick and bowl identified as "the begging of the Brahman elder." Murals are two Buddhist texts, each of which deals with the conversion of a murderer and a beggar.Murals in Kizil Grottoes often adopted the intense contrast of color at intervals that troubled the image of contemporary studies that this phenomenon can be called "decoration overwhelming."
出处
《艺术探索》
2018年第1期72-82,共11页
Arts Exploration
基金
国家社会科学基金艺术学项目"丝绸之路北道佛教艺术研究"(15EF177)
关键词
克孜尔石窟
壁画
央掘摩罗
装饰霸道
Kizil Grottoes, Murals, Angulimala, Decorative Overwhelming