摘要
本文自辨析文献记录与传世作品的关系入手,考察今归于沈周、文徵明名下的"虞山古桧"图像的真伪,以及二者之间的传承关系,同时将上述图像置于古木的绘画母题中进行分析。鉴于描绘对象为地方景观的特殊性,作者亦讨论了图绘行为与作品传播对景观产生的影响和意义。
The analysis starts from the historical records and handed-down works to probe into the authenticity of the paintings of 'Juniper Trees at Yu Mount'(Yúshān Gǔhuì) attributed to Shen Zhou and Wen Zhengming respectively and the inherent relationship between them. And the paintings are studied thematically under the motif of ancient trees and discussed about their impacts upon the local landscape.
出处
《故宫博物院院刊》
CSSCI
北大核心
2018年第2期63-79,共17页
Palace Museum Journal
关键词
沈周
《三桧图》
文徵明
《虞山七星桧图》
古木
地方景观
Shen Zhou
'Three Juniper Trees'(Sān Huì Tú)
Wen Zhengming
'The Seven Junipers'(Yúshān Qīxīng Huì Tú)
old trees painting
local landscape