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重庆黄桷垭镇农民油画

THE PEASANTS OIL PAINTING IN CHONGQING
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摘要 在重庆市南岸区风景秀丽的南山脚下的黄桷垭镇,一群脸朝黄土背朝天的泥腿子,玩起了被誉之为“高雅艺术”的油画创作,这崭新的文化现象,人们亲切地称为“农民油画”。 这些农民油画,内容丰富,构图奇特,色彩鲜亮。由15名农民创作的《采石场》、《晒谷》、《荷塘》等100余幅作品,充分展示了作者们通过自己的观察、构思和掌握的画笔,用形象的艺术语言,表达和描写了农村所起的新变化,从农、林、牧、副、渔,到当今农民所追求的文化风尚,以及新的风土人情。给人以感情真挚、生活气息浓郁的强烈印象,具有鲜明的个性和地方性。在技术手法上,他们注意吸收了民间年画、剪纸艺术,甚至风俗画的某些特色,而在色调、比例、技巧上虽然还很幼稚,有些在行家们看来甚至还很欠缺,但它们却毫无矫揉造作的痕迹,从那画面中透出的浓郁的乡村气息,使人感受到大自然的原色,有一种返樸归真的纯洁。 去年六月,南岸区专门为这些作者举办了展览,得到了省市美术专家的好评和文化主管部门。 Oil painting, the so-called highbrow art seemed to be far beyond the world of peasants in the countryside before, is now practiced and given a new conception as ’’’peasant’s oil painting" by a group of peasants living in the township of Huangjiaoya of Chongqing City.The peasant’s oil painting is characterized by strong nationalities and localism. The peasants take in the painting technique in composing the Chinese New Year painting and customs picture in their creation to make their painting something new from the traditional oil painting.The peasant authors apply their unique artistry to depict in their painting works their daily life and their persuit for happiness. Brief and lively in sketchness, the peasant’s oil painting impress the beholders with the freshness of nature and the unsophistication of the peasants themselves.
出处 《今日四川》 1994年第4期32-33,共2页

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