摘要
音乐主题是一部音乐作品的完整的"种子",作品由此而孕育;音乐主题也是一部作品的立意,音乐的整体基调由此而确立。贝多芬《f小调第一钢琴奏鸣曲》(Op.2/1)是其第一部有编号的钢琴奏鸣曲,也是他定居维也纳之后第一部带有展示其学习成果性质的作品。将这部作品还原至历史的语境中,对其四个乐章的主题分析便可以看出年轻的贝多芬已经掌握了前人的创作手法,并且开启了他毕生的创新之路。
The writer traces this work to its historical context. An analysis of its themes in all the four movements reveals the fact that young Beethoven had had a command of composing techniques of his predecessors and started the road for his life-time innovations.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2018年第1期62-75,共14页
Art of Music(Journal of the Shanghai Conservatory of Music)