揭开现当代文学史缺失的一角——再论旧体诗词应入中国现当代文学史

Revealing the Missing Part of Contemporary Literary History:A Re-discussion of the Inclusion of Poetry in the Traditional Style in the Writing of Contemporary Chinese Literary History

旧体诗词是我国传统文学和中华民族文学的重要构成,然而自清末民初起接踵而至的社会转型、国家政治体制变革,再加上中西方从科技到文化的剧烈碰撞,在中国学术界很快形成“西学至上”的主流思潮,开启了西方文化挟裹下颇为激进的对中国传统文化、文学的检讨模式,也因此影响到文学史的书写,造成如今大部分现当代文学史残缺的现状。实际上从“五四”以来旧体诗词并没有销声匿迹,它不仅拥有一大批杰出的诗人群和作品,更贯穿于现当代文学进程中,影响着白话新诗的发展。将参与现当代文学史进程的旧体诗词重新纳入其中才能恢复我国历史与文学史的本来面貌和完整性,还原客观存在的、被遮蔽的文学现象,这对于今后我国文学理论的研究和发展都有重要意义和价值。

Poetry written in the traditional style is an indispensable part of our traditional and the nation＇s literature. However, with subsequent social transformations, the reform of political institutions and the intense collisions of east and west from technology to culture, a dominated thought of ＂the west is the supreme＂ has soon formed among Chinese academic circles. The preference to western culture, causes a quite radical pattern of self-criticism towards Chinese traditional culture and literature, and it also influences the writing of literary history, causing the loss of many literary histories nowadays. In fact, poetry written in the traditional style has not disappeared. It is shown not only in its various splendid works and poets, but also shows itself in the influence on the development of the New Chinese Poetry in the process of contemporary Chinese literature. The inclusion of poetry written in the traditional style in contemporary Chinese literary history for the second time will recover the original landscapes of our history and literature history, and recover objective literary phenomenon that has been shadowed. It has significant meaning and value for the further study of our literary theory and development.