复调与对位——郭沫若早期十四行诗创作掠影

Polyphony and Registration:A Glimpse of Guo Moruo's Early Sonnets

郭沫若的十四行诗创作虽然作品数量不多,但历史价值不低。继《太阳礼赞》后,以《瓶·第三十六首》《夜半》《牧歌》等为代表的十四行诗的创作,完成了郭沫若白话新诗创作多元化的走向,同时也弥补了《女神》创作中诗歌意蕴和形式方面的不足,形成了郭沫若诗歌创作特有的复调模式,对于20世纪20年代中国现代白话新诗的翻译与创作的关系探究,以及格律诗歌美学的追求与发展也具有启示性的意义。

Although Guo Moruo＇ s sonnet creation is limited in number, his historical value is not low. Following the ＂Praise of the Sun,＂ the writing of sonnets represented by ＂Bottle ？ Thirty - sixth＂, ＂Midnight＂, ＂Pastoral＂ and so on, completes the diversification of Guo Moruo＇ s vernacular new poems, at the same time, it also makes up for the lack of poetic connotation and form in the creation of ＂Goddess＂, and formed the unique polyphony pattern of Guo Moruo＇ s poetry creation. It also explores the relationship between the translation and creation of modern Chinese vernacular poetry in the 1920s and the pursuit and development of metrical aesthetics of poetry.