少数民族群舞作品的创作现状及挑战——以“全国舞蹈比赛”、中国舞蹈“荷花奖”“桃李杯”舞蹈比赛为例

Current Situation and Challenges of Ethnic Group Dance Works:Dance Contests as Examples

近年来,少数民族群舞作品创作丰富。在"全国舞蹈比赛"、中国舞蹈"荷花奖""桃李杯"舞蹈比赛中的共计893部不重复群舞,维吾尔族,藏族、朝鲜族、蒙古族舞蹈作品有179部,占据总比例的20.04%。在这179部作品中,86%侧重作品表演形式的"形式美";11.7%有意挣脱"形式美"创作观念的束缚;3.3%不再拘泥于枯燥乏味的机械形式,较为明显地改变了"形式美"创作现状。文章认为,少数民族群舞作品创作应进一步挖掘本民族的特色与个性,彰显民族情怀和时代意义,在注重形式美的基础上,更多侧重具有民族情怀的内涵表达与舞蹈化的讲述。

In recent years,there are 179 group dance works of Uyghur,Tibetan,Korean and Inner Mongolian ethnic groups,which accounts for 20. 04% among 893 dance works in dance contests. 86% of them focus on beauty of form; 11. 7% of them intentionally break away from beauty of form; 3. 3% of them no longer rigidly adhere to the boring mechanical form and obviously change the way of creation. Further efforts to characteristics and uniqueness of these ethnic group dances are needed to express feelings and show contemporary significance.