摘要
本文以万素老师编创的舞蹈剧《人间情味》为研究对象,从作品的漫画选材、多媒体与演员的两重勾连、动作连缀的创作手法、时代感、音乐的选择等不同角度,分析作品中充满拙趣的生活景象与真挚的情感情怀。作品的可贵之处在于唤起观众对自然平实生活的回溯与品味。丰子恺先生把人间的动态捕捉下来,用静态的和漫画的方式呈现出来;随后,编导又用动态的舞蹈方式,把漫画还原成动态的。两人在艺术方式上相向而行,却同样带着"拙趣",带着"情怀",带着"情儿"和"味儿"。本文对作品及其编创手法的探讨,旨在为当下舞蹈创作提供参考。
Choosing dance drama Our World by choreographer Wan Su as the research object,this study analyzes the comical and heart-warming scenes of life from different angles: material selection,connection of multimedia with acting characters,creation of action techniques,selection of music,etc. The valuable part of the work lies in making the audience reflect and appreciate their own life. The cartoonist Mr. Feng Zikai used to capture the dynamic images of the world and presented them in a static form,and choreographer Wan Su reproduces these cartoon images into dynamic dance forms. The two masters seem to go to opposite directions,but they share the same disposition of‘humor'and‘emotion'. The discussion on its composition techniques offers valuable reference for today's creation of dance dramas.
作者
郑琳喆
ZHENG Lin-zhe(College of Art, South China Agricultural University, Guangzhou 510642, China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第6期109-113,共5页
Journal of Beijing Dance Academy