主体借鉴与客体乞灵——对民族音乐现状的文化理论思考

Footing on Subject and Resorting to Object:Thoughts on the Status Quo of Chinese National Music

在弘扬民族文化的历史时代背景下,重新审视我国民族音乐现状是一件有意义的事情。本文从中国音乐历史的发展状况入手,在音乐属性、民族思维、多元文化态度的基础上提出主体借鉴与客体乞灵是两条完全不同的发展道路。通过对中国近百年音乐教育情况的分析,就立足主体、倡导多元提出自己的认识,最终认为没有主体观念的音乐发展将导致民族音乐文化的消弭。

Starting from the development of Chinese music history,basing the study on music's properties,national thinking and multiculturalism,the writer assumes that Chinese music has progressed in two different ways in its history,i.e.footing on subject(its own music)andresortingto object(foreign music).Through an analysis of one-hundredyear Chinese music education,we can draw our conclusion that we should have a footing on subject and champion multiple foreign cultures.Otherwise,our national music will wither away.