摘要
琼·乔纳新长期以来在其创作中所阐释的议题对于今天的艺术世界如何理解行为表演的现场性有着不可替代的影响。而对中国的录像和表演艺术家来说，行动和传播也同样重要。策展人陈立在这些跨越地区和世代的影像实践之间找到了共鸣。
The questions Joan Jonas has faced throughout her career have been definitive for the possibilities of performance and liveness in art today.For Chinese artists working across video and performance, acting and transmission remain just as relevant; curator Leo Li Chen looks into these instances of resonance across continents and generations.
出处
《艺术界》
2018年第1期218-223,共6页
