从附庸到独立:民国时期评弹“开篇”的独立与发展

From the Vassal to the Independence: The Rheology of the Opening of the Assessment in the Republic of China

苏州弹词在发展的过程中形成了说正书之前先唱"开篇"的演出传统,学习开篇成为弹词艺徒学艺的起点。民国时期,女弹词的演出实践开始尝试将开篇作为独立的演出形式,出现了"点唱开篇"。随着评弹进入上海,弹词开篇在新兴传播媒介电台中占据了自己的位置,开篇的演出内容也在不断发展。丰富多彩的都市文化生活,使20世纪三四十年代诞生了大量反映社会生活的新开篇;得益于新闻出版业的兴盛,开篇逐渐丰富并扩大了自身的社会活动功能。

In the process of forming, the word ＂opening＂ was sung before the ＂opening＂.The performance practice of the female cataplexis began to take the opening as an independent form of performance, and the ＂opening of the dots＂ appeared.As the commentary enters Shanghai, the words begin to take their place in the emerging media radio.Rich and colorful urban cultural life, in the 1930 s and 1940 s, a large number of new beginnings reflected social life.Thanks to the prosperity of the press and publishing industry, the opening line gradually has rich and expanded functions of social activities.