摘要
杨慎是有明一代词曲领域理论与创作兼善的通才型作家。本文从词曲牌调择取和题材范围两角度对杨慎词曲进行比较性研究。由辨析可知,杨慎于词曲文体观念的差异较为模糊。其词曲创作在题材领域方面体现出无意不可入、无事不可言的广泛性,同时均以闺情、咏怀和赠答为重心。文章的研究思路或可为目前学术界词曲研究方法的多元化开展提供参考。
Yang Shen is a polymath and versatile writer who is skillful in the theory and creation of ci and qu poem in the Ming dynasty. From the perspective of the selection and subject range of title and tune of ci and qu poetry, the paper makes a a comparative study of Yang Shen' s ci and qu poetry. Based on the study, we find Yang Shen' s concept for the difference of literary style of ci and qu poetry is comparatively vague. His creation of ci and qu po- etry reflects a wide range of subjects, focusing on female feelings, his innermost feelings and exchanging poems. The research idea of the paper is likely to provide some reference to the diversity of approaches of researching ci and qu poetry in the current academia.
作者
郑海涛
田甜
ZHENG Hai-tao, TIAN-tian(School of Chinese Language and Literature, China West Normal University, Sichuan 637009, Chin)
出处
《西华师范大学学报(哲学社会科学版)》
2018年第2期10-15,共6页
Journal of China West Normal University:Philosophy & Social Sciences
基金
国家社会科学基金重大项目(15ZDB074)
关键词
杨慎
词曲
比较
Yang Shen
ci and qu
comparison