摘要
庙底沟花瓣纹是"早期中国"框架最主要的文化标志,是中华民族核心价值观的文艺标识。它首先表达着当年黄帝族群力求挣脱原始萨满教"神高于人"的传统教义,追求"足食"的社会理想;作为此花瓣纹"转世灵童"的"華"字,则凝聚和标识着中华民族辈辈代代追求人人丰衣足食、审美人生和世界"大同"的核心价值观。苏秉琦先生类型学分析得出庙底沟文化花瓣纹源自关中,张忠培、严文明、李伯谦、王巍、王仁湘等先生,对苏先生所论庙底沟文化的强势传播且形成"最早中国"之论,均有称许、认同或探讨之论;近年石兴邦、王仁湘两先生"美术考古"结论再申花瓣纹源自关中,都为以西安为核心的关中是花瓣纹源头,从而为史前黄帝都邑所在,提供了考古旁证。这也为西安杨官寨遗址作为"黄帝都邑"提供了一个旁证。
Petal-shaped Patterns of pottery in Miaodigou is an important cultural symbol of early China and the core values of the Chinese nation. It reveals the the traditional teachings of "god is higher than man" of the original Shamanism and the social ideals of pursuit the "adequate food". The Hua in Zhuanshilingtong of the Petal-shaped Patterns is the prototype of "Zhong Hua". Mr Su Bingqi analyzed the Petal-shaped Patternsin Miaodigou had rooted Guanzhong, and Mr Zhang Zhongpei, Yan Wenming, Li Baoqian, Wang Wei, et al. showed the same or familiar point. Mr Shi Xingbang and Wang Renxiang pointed the same ide- a, which all proved that Guanzhong is the original place of Petal-shaped Patterns of pottery in Miaodigou, which will prove the Xi'an Yangguanzhai site as the capital of Huangdi.
作者
胡义成
HU Yi-cheng(Shaanxi Academy of Social Sciences, Xi'an 710065, Chin)
出处
《西安财经学院学报》
CSSCI
2018年第2期107-115,共9页
Journal of Xi’an University of Finance & Economics
关键词
庙底沟花瓣纹
花瓣纹起源
西安杨官寨遗址
关中
华
中国审美文化
Petal-shaped Patterns of pottery in Miaodigou
the root of Petal-shaped Patterns of pottery Xi'an Yangguanzhai site
Guanzhong
Hua
aesthetic culture of China