清初论诗诗的诗学取向

The Poetic Tropism of the Poetry Theorizing Poetry in Early Qing Dynasty

单篇或成组的论诗诗,其诗论主张零散而不成体系,若将某个时期的论诗诗视为整体,透过这些论诗诗的诗论主张和理论取舍,可以窥探到这一时期诗坛的诗学取向。透过清初的论诗诗,可见清初的诗学取向:诗情方面,清初论诗诗重情崇真,体现诗坛回归诗歌本真面目的努力;诗风方面,清初论诗诗反明遗弊,从尊唐、推宋到唐宋互参,呈显了诗人外索内修的追寻;诗韵方面,清初论诗诗神韵说与反神韵说并举,呈显了诗人对诗歌内在本质与美的探索,是诗坛突破藩篱、追求个性的体现。

The poetic proposition of a single or series of poetry theorizing poetry is not systematic. If read the poetry theorizing poetry of an entire historic period and analyze those poetic propositions, we can discover the poetic tropism of that period. Through analyzing the poetry theorizing poetry of early Qing Dynasty, we can understand the poetic tropism of that period, which includes three aspects. Firstly, on the affection of poetry, the emotion and the truth are emphasized, which reflects the efforts of the Parnassus to return to the true nature of poetry. Secondly, on the style of poetry, the defects of poetry style in Ming Dynasty are abandoned, and a changing process from praise Tang and Song to a phase of calling for cross-consulting between Tang and Song dynasties, which shows the poets＇ poetic explorations and reflections. Lastly, on the aspect of poetry implication, romantic charm and anti- romantic charm exist at the same time, which shows the beauty of poetry, as well as the Parnassus＇ efforts to create the existing poetic tradition. poets＇ exploration of the inner essence and a poetic feature of the era and break through