认知美学视域下新媒体艺术的“亚审美性”

On the “Sub-aesthetic Nature” of the New Media Art in Cognitive Aesthetics

媒介作为艺术内容的信息载体,既受到技术变迁、同时受到审美体验方式的影响。新媒体艺术体现着艺术内涵与媒介技术的智能化联结,改变了传统审美方式的认知与体验,审美研究已不再是以往的"离身性""静观性"与"内省化"的哲学思考,而在更大程度上体现出多重感官经验整合的"具身性"认知特征,强调个体的身体状态直接参与审美认知的过程。通过个体"具身性"的审美参与,在审美感受中强调非审美性因素与审美性因素的整合性体现,重视生理性快感在审美体验中的辅助作用,以认知美学的审美知觉为先和美感形式模块化认知生成,来扩展新媒体艺术审美研究的视角与路径。解读新媒体艺术的"亚审美性",对艺术的媒介性特征以及"具身性"审美认知的科学性美学分析,有助于理解新媒体艺术美学的感知转向与智能化转向,及解决具体艺术实践的理论问题。

As the information carrier of artistic content,the new media art is influenced both by the technological change and the mode of aesthetic experience. It embodies the intellectualized connection of artistic connotation and media technology and transforms the traditional cognition and experience of aesthetic style.Studies of aesthetics are not the philosophical thinking of the‘detached nature',‘static property'and‘introspection'any more but to a great extent,present a cognitive characteristic of ‘embodiment'which integrates multiple sensory experience and meanwhile emphasize on the process of individuals' direct participation and aesthetic cognition. Through the aesthetic participation of individual‘embodiment',the integration of aesthetic and non-aesthetic factors in the aesthetic experience will be stressed and so is the supplementary role of the physiological pleasure in the aesthetic experience. With the aesthetic consciousness of cognitive aesthetics as the foundation,the modularity of aesthetic forms will expand the perspective and means of the aesthetic research of the new media art. The interpretation of the ‘sub-aesthetic nature'of the new media art and the analysis of the media characteristics of art and the scientific nature of ‘embodiment'of aesthetic cognition will be helpful for understanding the sensory change and the intellectualized change of the new media art and also be helpful for solving theoretical problems in specific art practice.