新中国成立十七年期刊封面中的木刻版画探析——以1949年——1966年部分期刊为例

Analysis of Wood-Cut Prints in the Journal Covers of New China from 1949 to 1966

在新中国美术发展史上,版画的发展历程具有重要地位。文章通过对1949年—1966年十七年间出版的一些杂志封面的收集和整理分析,发现这些杂志封面装饰包含有众多艺术形式,其中木刻版画所占比例较大。新中国成立后,版画便捷性和广泛性的特点使其在期刊封面中的应用相当普遍,由此归纳出版画作品中所体现出的民族性特征、抒情性表达,以及对现代版画形式语言成果的彰显。

In the history of art development in new China, the development of printmaking has an This article has collected and analyzed the covers of some magazines published in New China during important posmon. the period of 1949 to 1966. These journals include People＇s Literature, Fine Arts, Spark, Enlightened Boy, Literary Study and so on. This research has found that these magazine covers＇ decoration contains a large number of art forms, and wood-cut prints has occupied a larger proportion. When the printmaking was founded in the new China, because of its convenience and universality, it made the application of printmaking in the cover of the periodical more common. Thus they represent the national characteristics, lyrical expression and influence on modem printmaking.