摘要
清末民国“民众工艺”的生产机制和“以资民用”的造物观念,影响着湖南醴陵青花瓷的器物形式;同时,湖南醴陵青花瓷的器物特征和分类方式也依托于这种“民众文化”的瓷业环境。旨在研究醴陵青花瓷的器物形式与民众文化的关系,并阐释其器物特征的形成因素,构建地域文化下日常生活的审美关照。
The "public craft" of production mechanism and "for civilian" concept of creation in the late Qing Dynasty, affecting Hunan Liling blue and white porcelain wares; at the same time, Hunan Liling blue and white porcelain artifacts feature and classification also rely on this "popular culture" ceramic industry environment. The relationship between the form of Liling blue and white porcelain and the culture of the masses were studied to explain the formation of the characteristics of the artifacts, and to construct the aesthetic care of daily life under the regional culture.
作者
向师师
邹晓松
XIANG Shishi1,2, ZOU Xiaosong1(1. Jingdezhen Ceramic Institute, Jingdezhen 333000, China; 2.Hunan Institute of Technology, Hunan 412000, Chin)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2018年第3期73-76,共4页
China Ceramics
基金
2016年度湖南省社科基金(16YBQ024)
关键词
醴陵青花瓷
器物形式
形成因素
文化关照
Liling Blue and White Porcelain
Form, Formative factor
Aesthetic care