基于跨学科视野看舞蹈艺术中音乐与舞蹈的关系

The Relationship between Music and Dance in Dance Art Based on Interdisciplinary Perspective

在舞蹈艺术的研究理论中,关于音乐和舞蹈的探讨一直是学术界关注的焦点,追溯研究历程,我国从先秦就开始对其有相关记载,而在上世纪八十年代,现代舞蹈意识逐渐走入人们视野,在东西方文化碰撞的过程中,学者们开始借助西方现代主体意识和崛起的文化理念从跨学科的角度解读舞蹈艺术中音乐和舞蹈的关系,从而重新定义两者的限定结构。本文对音乐与舞蹈之间关系的基本观点进行了简要分析,并结合《声无哀乐论》对跨学科视野下舞蹈艺术中音乐与舞蹈的关系展开了讨论,旨在推动理论研究进程,以供参考。

In the theory of dance art, the discussion of music and dance has always been the focus of academic attention, retro- spective research process, China began to record from the pre-Qin, and in the eighties of last century, modem dance conscious- ness gradually In the process of collision between the East and the West, the scholars began to interpret the relationship between music and dance in the dance art from the perspective of the interdisciplinary view of Western modem subject consciousness and the rise of the cultural concept, so as to redefine the limited structure of the two. This paper briefly analyzes the basic vi- ewpoints on the relationship between music and dance, and discusses the relationship between music and dance in dance art based on interdisciplinary view, which aims to promote the theoretical research process, just for reference.