以勒巴-塔城热巴舞为案例的族群艺术边界研究

Boundaries of Ethnic Minority Arts: Examples of Leba Dance and Tacheng Reba Dance

流传于滇西北多个民族的勒巴-塔城热巴舞是边疆多民族地域艺术传播与进化的典型形式,论文基于以勒巴-塔城热巴舞的相对边界的维持、内外边界的多重性表达,在此基础上探讨族群艺术交流及相对边界的形成机制,族群艺术存在边缘地对古老文化特质的保留,而文化模式建构并保存了艺术形式,艺术边界呈现动态化的重构特征。

Popular in northwest of Yunnan Province,Leba and Tacheng Reba dances are typical cases of art communication and evolution in multi-ethnic minority regions. Based on keeping relative boundaries and multiple representations of the boundaries,this paper analyzes the communication of ethnic minority arts and its mechanism of boundaries in different art forms. Ethnic minority arts bear many traditional cultural traits,and the patterns of the culture are constructed and preserved in various art forms. The boundaries of them are dynamic.