摘要
唐朝是我国历史上政治、经济与文化的繁盛时期,也是莫高窟建窟和现存洞窟最多的时期。敦煌作为佛教圣地,是中国现存规模最大的佛教石窟寺遗址,其唐代壁画中的服饰,为我们展现大唐的盛世之象。本文着眼于菩萨这一佛教形象,对唐代莫高窟具有代表性的洞窟壁画中观音、大势至和胁侍供养两类菩萨的服饰色彩进行归纳与整理,在色彩属性、配色方法等方面进行服饰用色特点的分析,力求更好地发现敦煌色彩在菩萨服饰当中的运用。
The Tang Dynasty is the prosperity of politics, economy and culture in the history of our country. Most grottoes in Mogao grottoes were built in the Tang Dynasty and most existing grottoes are from the Tang Dynasty. Dunhuang as a Buddhist holy land, is China's largest existing Buddhist grottoes temple ruins. The clothing in Murals, showing the Tang Dynasty flourishing scene .This article focuses on the Bodhisattva, summarized the clothing color of Avalokitesvara, Mahasthamaprapta and Offering Bodhisattva .In terms of color attributes and color matching method, analyzes the clothing color and strives to find the use of Dunhuang colors in Bodhisattva costumes better.
出处
《流行色》
2017年第10期41-47,共7页
Fashion Color
基金
清华大学美术学院2015年度柒牌非物质文化遗产研究与保护基金(编号:2015立项第05号)阶段性成果
关键词
唐代
敦煌莫高窟壁画
菩萨
服饰色彩
Tang dynasty, Dunhuang Mogao Grottoes Murals, Bodhisattva, Clothing Color