摘要
东汉中叶,歌功颂德的大赋创作衰歇,而距政教较远的小赋创作日渐繁荣。小赋题材进一步扩大,世俗情感开始进入小赋中,其对事物描写的侧重点已由教化功能向自身特性转换。
In the middle of Donghan dynasty, the produce of Dafu singing merits and praising virtues was weaken, however, the produce of Xiaofu which was far from moralization was prosperous gradually. The subject matter of Xiaofu further enlarged; the sensibility of common customs began to enter into Xiaofu. The depiction emphasis had changed from moralization to its characteristic.
出处
《河北学刊》
2002年第5期108-110,共3页
Hebei Academic Journal