话剧《李白》戏剧冲突论

Pramatic Conflict Revealed in the Chinese Drama Libai

郭启宏的话剧《李白》是中国现代话剧的经典之作,当我们用尼采的"日神精神"与"酒神精神"理论重新诠释《李白》时,李白身上同时具有的双重矛盾会更加突出地展现出来。作为一种内在的精神冲突,出仕与归隐的矛盾是全剧的主要矛盾。家与国的取舍和清浊之争的现实冲突是外在的冲突和次要矛盾。剧作家通过三层戏剧冲突,进一步还原了李白悲剧性格及命运形成的个人因素、社会因素以及盛唐文化观念,再现了大时代背景下典型人物的生命历程。

Chinese Drama Libai written by Guo Qihong is a masterpiece of Chinese modern drama. When we use Nietzsche＇s theory of Dionysus and Apollo spirit to reinterpret the drama Libai,we can find out an internal spiritual conflict,the contradiction between being a hermit or an official,which is the main contradiction of the drama. The conflict between family and country is an external conflict. Through three layers of dramatic conflicts,the writer tries to analyze the tragedy destiny of individuals at that times and indicate the reasons why Libai suffered a tragedy fate under the social and cultural background in the Tang Dynasty in China.