对话作为一种公共艺术:以文化多样性复育生物多样性的环境艺术行动

Dialogue as Public Art: An Environmental Art Action Applying Cultural Diversity as a Way to Achieve Biodiversity

对话作为一种公共艺术的表现,脱离了作品必须依附在物件上的必要性,进入空间,成为行动,乃至扩散到人群、社会以外的环境和生态。2008年北回归线环境艺术行动的海区蚵贝地景艺术论坛,以对话作为切入环境的路径,模糊了视觉性与非视觉性的界线,将艺术的公共性指向了人们生活中的日常与未来性。通过跨领域的对话、滚动式综合治理策略、阶段性行动方案,对话得以不断滋生出相应的行动和新的对话,来回应变动的环境。位于嘉义县海岸地区的布袋盐田湿地,提供了这样一个以文化多样性复育生物多样性的案例。

Dialogue as public art has set art free from the necessity of attaching itself to the objects. Rather, art can be in any spaces, become actions, and disperse to the environment and ecology beyond the conventional human society. Since the Conference of Oyster Shell Landscape Art within the programme of Art as Environment： A Cultural Action on Tropic of Cancer 2008, dialogue has been introduced as an art to delve into the environment of the abandoned salt fields and coastal wetlands in Budai, Chiayi. The practice obscured the boundary between the visual and the non-visual. The publicness of art was directed to the dailiness and futureness in civic life. By means of interdisciplinary dialogue, rolling correction and unified management, along with priority action plans in different stages, the dialogue expand and extend, creating more corresponding actions and new bouts of dialogue, to respond to the changing environment. This practice provides a good example of ecological conservation by preserving biodiversity with cultural diversity.