摘要
主动线的铺陈由碎石径而至临水的架高木栈道，沿途错置的景石像是逗点一般，拉出与人行动线之间微妙的距离平衡，宛如形势天成的林间幽径，充满着迂回转折的味道。看似随意植下的数座建筑量体，沿着沁凉水池畔迤逦，藉穿梭于大面玻璃窗间的光影反映，争取最佳的通透、深邃之美。屋顶的中央是小巧的正方庭园；屋内屋外，体证着与大自然并存的东方哲学。
Adorned with decorative rocks, the pebble pathways sit alongside a quiet artificial stream leads guests through the serene green landscape to their reception centres. The white hut is predominantly made of cedar and large glass panels. Glass panels are incorporated into the hut＇s structure to maximise natural light and bring in the magnificent view outdoor. In the middle of the rooftop is a dainty square courtyard. From inside and out, the architecture exemplifies the eastern ideology of coexistence between human and nature.
出处
《世界建筑导报》
2018年第2期45-45,共1页
World Architecture Review
