言说、身体与情景——戏剧《哈姆雷特机器》的先锋性

Speech,Body and Scene:on the Avant-gardeness of Hamletmachine

本文具体评析原东德作家海纳尔·米勒的戏剧《哈姆雷特机器》(1977),深入勘察其对传统戏剧模式的多重解构,即从戏剧形式上取消对话、情节,代之以独白、断片式情景,在人物塑造上颠覆莎翁剧作中的崇高、纯洁、复仇原型,并结合其对前卫戏剧和造型艺术的借鉴,探讨其实验性、先锋性。

Through an analysis of Hamletmachirte （1977）, a play by former East German playwright Heiner Muller, this paper discusses the multiple deconstruetions of traditional dramatic modes in the play. These deconstructions include： the substitution of traditional dramatic forms of dialogue with soliloquies and the substitution of plots with fragmental scenes, as well as the subversion of the archetypal characters of sublimity, purity and revenge. Also discussed is the experimental and Avant- garde nature of Hamletmachine with its reference to Avant-garde theatre and plastic arts.