摘要
哲学意义上的"生成(Becoming)",是世界的运行机制(从潜在到现实的过程),也是世界的价值观(万物是生命之流中不断生成的瞬时存在)。"生成"在艺术领域被进一步定义为有形物对无形物的创造;在建筑理论中则被描述为人类与他们此时此地的存在进行结域(Territorialization)并进行标记的一种方法,并释放了"建筑实践内在的哲学性的欲望"。文章从哲学到艺术再到建筑学,层层构建一个"生成"的视阈以考察建筑创作,揭示在实践和理论、行为和价值长期分离的两极之间的一座小桥——建筑学本身就是一种思考方式。^((1))
In the philosophical sense, "Becoming" refers to the mechanism (from virtual to reality) and the values (everything is constantly emerging in the stream of life) of the world. In art theory, "Becoming" is further defined as the creation of intangibles from tangibles; in architectural theory, "Becoming" is described as a method of territorializing and marking human beings with the presence right here right now, releasing the "inherent philosophical desire of architectural practice". From philosophy to art, then to architecture, a perspective of "Becoming" is generated for reflecting architectural design and revealing the little bridge between the separation of practice and theory, behavior and value -- The architecture itself is a way of thinking.
出处
《建筑与文化》
2018年第4期51-52,共2页
Architecture & Culture
关键词
吉尔·德勒兹
生成
欲望
建筑创作
Gilles Deleuze
Becoming
Desire
Architectural Design