摘要
"新时期"少数民族题材电影共有57部,表现了21个少数民族的民族故事。这些电影作品在叙事上不仅以共同的现代国家疆域意识完成政治维度的家国同构,还在文化和价值信仰上认同于国家的主导文化,为少数民族人民确立自己作为国家的公民身份提供了一种极为现实的镜像体验,顺利地"再完成"国家认同的宏大叙事。
There are altogether fifty-seven minority films in New-period which show the stories of twenty-one minorities. These films not only based on the common consciousness of modern nation borders so as to finish political family and nation in the same structure in storytelling,but also identified national mainstream culture on the culture and value beliefs,they provided minority nationalities with a real mirror image experience of the civil identification. new-period minority films had made a grand narrative of nation identity.
出处
《哈尔滨师范大学社会科学学报》
2018年第2期172-175,共4页
Journal of Social Science of Harbin Normal University