摘要
历史上记载的竖箜篌、凤首箜篌、四弦琵琶、五弦琵琶等弹拨类乐器来自哪里?它们是如何传入中国?又是怎样变迁的?本文通过对汉唐时期丝绸之路上弹拨类乐器的调查,对其流变脉络和盛衰轨迹作一梳理,继而论述中国对外来音乐的接受问题。
Where did such historical plucked string instruments as vertical konghou ,phoenix head kongkou,four string pipa and five string pipa come from？ How were they transmitted into China？ How did they change in this process？ This essay tries to put into a clear picture the changes and vicissitudes of these string instruments on the Silk Road respectively during the Han and the Tang times. The author concludes with a discussion on China＇s reception of the foreign music.
出处
《音乐文化研究》
2018年第1期22-35,共14页
Music Culture Studies
关键词
丝绸之路
弹拨乐器
东渐
流变
Silk Road
plucked string instruments
eastward journey
chang
