《文选》“赋篇”批评三题

Three Topics about Fu in Wenxuan

作为今存第一部文学总集,萧统《文选》"赋篇"的辑录,既是萧梁时代赋学批评的标志之一,也对后世的辞赋研究有着重大的影响。在众多赞许与质疑声中,本文选择其中的"首赋""首京都"与别"骚"一体三题为研讨视点,从赋学史的意义探究其批评内涵,发掘其内在意蕴。概言之,萧选"首赋"对赋体文学的推尊,奠定了汉赋作为"一代文学"史观的形成,其"首京都"对大汉文章气象与礼德的追慕,是以"时义"见"文功"的盛世书写,而"别骚一体"区分正宗与别派文学的同时,也因其文"情"的彰显,为赋学史之"祖骚宗汉"理论的形成提供了一种创作精神。

As the first literary anthology,the collection of Fu by Xiao Tong is the symbol about Fu criticism during the period of Liang Dynasty and it had great influence on the later study on Fu. Among the agreed and questioned opinions,this paper chose three topics,Fu at first,Metropolis Fu put in front of all the Fu works,and Viewing Sao as a particular style,to do our research in the historical perspective. In general,Xiao Tong put that Fu at first facilitated the concept that Fu is the representative style of Han Dynasty,putting the Metropolis Fu in front of all the Fu works,which was a manifestation of pursuit of heyday. And Viewing Sao as a particular style showed the difference of the authentic and other schools of literature,and provided a spirit for the creation of the theory of learning the style of Sao and Han in the history of Fu criticsm.