叙事性的变革与时空法则的退位——以《柳毅》与《洞庭湖柳毅传书》的时空叙事比较为例

The Revolution of Narrativity and the Abdication of the Law of Time and Space——Take the Comparison of Spatial and Chronological Narration between Liu Yi and the Story of Liu Yi' s Delivering Letters to Dongting Lake as An Example

唐传奇《柳毅》与元杂剧《洞庭湖柳毅传书》两部作品在故事内容与叙事重点相近的情况下,却在时空叙事中差异颇深。本文从时空描写的差异性入手进行探究,查究两文在时空设计、时空性质与时空操作上的区别:一是文本叙述偏向主观时空或客观时空;二是读者时空参与叙事时作用于局部或整体;三是叙事以多层时空网或单层时空链的模型进行时空建构;这说明唐传奇中时空的优先性在元杂剧时发生了降格。它是叙事文学从史实性向戏剧性发展中的关键变革,而以角色为主的代言叙事是此变革产生的必要条件。

While the story of Tang Legend Liu Yi and Yuan Opera The story of Liu Yi＇ s delivering letters to Dongting Lake have similar content and focus, they are different in spatial and chronological narration.Starting with the differences of spatial and chronological description, this article analyzes the differences of the design, the nature and the operation of spatial and chronological.First of all, the text narration tends to subjective or objective time and space. Secondly, The operation of the spatial and chronological horizon of the readers in narrating stories mainly takes effect in part or the whole.Last but not least, the spatial and chronological establishment of narrating model is designed as a multi -layer-net structure or mono -layer -chain structure. These differences show that the priority of spatial and chronological narration in Tang Dynasty reduced when Yuan Opera occurred.It is a key revolution when narrative literature developed from historicity to theatricality. The birth of first-person narrator which focuses on role＇ s narration is a necessary condition of this revolution.