死亡:铸造世情杰构《金瓶梅》的文化基点

Death:A Cultural Base of The Golden Lotus

放纵与死亡绘制了《金瓶梅》艺术画卷的末世景象,作者特别关注市井社会的小人物之死,拓展了中国文学死亡书写的表现天地,具有鲜明的近代意识。死亡书写承载着市井人物的各色表演,具有极强的形式张力,营造千里一脉的叙事结构,凸显古典小说高超的构思技巧。死亡书写彰显出富有中国意蕴的生命关怀色彩,开启窥视生命终止形态的文化向度,抖露形态万千的死亡场景和异彩纷呈的死亡心态,死亡书写成为铸造世情杰构的文化基点。

The artistic picture on scene in the dark period was drawn by indulgence and death. The author paid special attention to the death of the lower class people of the society, which expanded the expressive space on death narrative in Chinese literature. Gone with numerous characters death and unrest, it wrote a social elegy without refuge. Death writing carried various show of the characters in town, which depicted many composite characters. It reflected a strong tension in form, which build a complex narrative structure, highlighting the superb skills in classical novels. Death writing reflected the rich Chinese care for life, opening a cultural orientation to peep death, revealing many scene and psychology on death. Death narrative became a cultural base of The Golden Lotus.